Skip to main content

Album Review: Chthonic Deity Assembled In Pain


Lately it seems like every day, another old school death metal band claws out of the underground with the ravenous intent of an undead horde.

The latest band of this ilk is Chthonic Deity. These maniacs live up to the subterranean aspect of their name, and deliver a dank dose of death from the darkest depths of Colorado in their debut EP, Assembled In Pain. This one is a decidedly primitive approach. The chainsaw guitars drip with a rich, wet tone, and it imparts a really slimy texture to the overall production.

Assembled In Pain boasts of a massive low end presence, with a rich distorted bass driving its ghoulish atmosphere. The guitar tones cuts through like the slimy tendrils of a Lovecraftian behemoth summoned from the underworld. The drum work rumbles with a combination of double bass kicks and thrash rhythms, a bit reminiscent of Chris Reifert's work in Autopsy. Blast beats are scarce, but they emphasize the bombardment like a drill to the dead when they are selectively unleashed.

"Drained" kicks off the album with a shuffling storm of riffs, a cross between early Cannibal Corpse and Nihilist (pre-Entombed). The last track, "Blood Ritual" is both the longest and the slowest, with what sounds like a bass solo closing out the grinding guitar chugs. 

The vocals trade off between screams and raspy growls. Generous reverb gives the effect of the voices swirling from the abyss in a whirlwind of ancient spells. 

This one features a few familiar names from the west coast death metal resurgence in its personnel, namely Erika Osterhout and Charles Koryn from Scolex and Ascended Dead, along with Paul Reidl of Blood Incantation, and mixing courtesy of Greg Wilkinson from Deathgrave and Brainoil.

This EP stands out  from its contemporaries with its stripped down style. The song writing keeps it in the pocket, and riffs are dealt out in groovy repetitions.

My main criticisms of Assembled In Pain is that it's not a terribly innovative album, and it's short, at only four songs. But with this dream team of extreme metal heads at the helm of this project, Chthonic Deity's future is sure to be grisly and filled with horrors. 

Comments

Popular posts from this blog

OG Blasphemy: An interview with Profanatica's Paul Ledney

Profanatica is widely recognized as the first United States black metal band. Building on the foundation set forth by Venom and Hellhammer, Profanatica has spewed a rambunctious attack on all that is holy since 1990. Their antics on and off stage gained the same notoriety as their hellish music. While their European counterparts posed for photographs with candelabras and swords, Profanatica did photos with blood dripping from their limp dicks. Grainy VHS from the early 90s interviews show them giggling as they rip pages out of a bible and eat them. In many ways, Profanatica is one of the metal bands to become a meme. The recordings of what was to become their first album was destroyed by spiteful band mates before it was ever released in 1990 - read on to find out more about that fateful event. It was nearly two decades later that Profanatica birthed their first full length  Profanatitas De Domanatias in 2007. Rotting Incarnation Of God  is Profanatica's upcoming full length,

Interview with Pan-Amerikan Native Front

War is coming! Pan-Amerikan Native Front is among the fierce bands who lead the charge of in digenous black metal in the Americas. This group is fronted by its enigmatic chief, Kurator of War. Their 2016 full length Tecumseh's War  beats like a war club through the life and conflict of its namesake. Earlier this year, Pan-Amerikan Native Front released the Native Amerikan Black Metal split w ith the Ifernach, which is already sold out of of vinyls their bandcamp . Behold this interview I conducted with Kurator Of War.  Tecumseh's War was inspired by the life of Tecumseh, and it's a blistering musical journey. What was your inspiration for the Native Amerikan Black Metal split, lyrically, thematically and musically? The split album continued to retain a conceptual and storytelling approach, much like Tecumseh's War, and with a similar range of songwriting styles I implemented with the previous album. When Ifernach and I began focusing on themes we naturally landed on the

215 OR DIE: An interview with Sonja's Melissa Moore

Melissa Moore is a Philadelphia-based guitarist who currently leads the classic metal band Sonja. Previously, she's shredded on ax duty in bands like Rumplestiltskin Grinder and Absu. Moore also runs Toxic Femme, a clothing and apparel company that brings light to trans, non-binary and LGBT+ people via heavy metal fashion. On the musical front, Sonja released a promising two-song digital album  Nylon Nights/Wanting Me Dead  last year, which will win over fans of Mercyful Fate, Judas Priest and Iron Maiden. I present to you, a dark transmission with the voice of Sonja, Melissa Moore.  Hell-O Melissa (in my best King Diamond voice). How the hell are YOU? Not bad. Thank you for realizing the Mercyful Fate reference in my name. How do you describe the musical experience that is Sonja, in your own words? What can someone expect at a Sonja concert?   Trans femme fronted dark heavy metal that wishes it was death rock. If Lana Del Rey was the singer of Manowar, I think it would be si