Skip to main content

Overthrust Suicide Torment review


"You son of a bitch / You killed our brother."


These bitter lyrics convey the tragedy of Suicide Torment, late drummer of Ghanzi, Botswana's Overthrust. Born Gakeitse Bothalentwa, the known as Suicide Torment was killed in December 2018, by a reckless driver. His stage name memorialized in the title track of Overthrust's new EP. His surviving bandmates honor this Death Metal Cowboy's life with a relentless new record, one of the finest releases of 2019.


 

(In case you missed it, I conducted an email interview Overthrust vocalist and founder Vulture Thrust  last November. He fondly recalled Suicide Torment as a jokester with a voracious appetite for beer.)

Suicide Torment is a justly pummeling record, especially in the drumming department. The family legacy of Suicide Torment lives on as well. Suicide's uncle is the original Overthrust drummer, Beast Thrust, who returns to the band to deliver an armada of blast beats. If there is an afterlife, his nephew is certainly throwing the devil horns (and probably drinking beer) in approval.

So many styles of death metal have clawed to the surface these last few years. Overthrust's sound, along with their outrageous leather cowboy fashion, stands out for having its own special regional flavor. One hand, it's definitely brutal, and gutteral, but they mix up their arrangements. The guitar riffs are simple, but they sound unlike any other band out there, a tough feat to achieve these days. And their arrangements mix up the sections to avoid sounding like a nonstop string of blast beats and cookie monster. These guys can play their instruments, and do it with the primitive fury of Sodom and Possessed.


Vulture Thrust commands one of the most feral growls in the business today. It's a bit of vintage Chris Barnes and Frank Mullen from Suffocation. Imagine standing face to face with a lion, poised to strike, knowing its death roar will be the last thing you hear before getting mauled.

The title track is my favorite of the album. It begins with an a capello vocal performance from Vulture Thrust. "You son of a Bitch. You killed our brother," he bellows. Then, it wails off with a chaotic attack of screams and maniacal blast beats. Its spastic nature holds similiarites with Hadez Aquelarre, as well as Sarcofago.

Midway through the title track, they breakdown into a heavy ass groove, simple and bluesy, as the "You son of a bitch..." mantra repeats. It's a catchy passage, and equally haunting considering the real life events that inspired the song.

This is highly recommended to fans of death metal, and boasts of improved production (and album art) from their previous classic, Desecrated Deeds To Decease. 

Comments

Popular posts from this blog

Interview with Pan-Amerikan Native Front

War is coming! Pan-Amerikan Native Front is among the fierce bands who lead the charge of in digenous black metal in the Americas. This group is fronted by its enigmatic chief, Kurator of War. Their 2016 full length Tecumseh's War  beats like a war club through the life and conflict of its namesake. Earlier this year, Pan-Amerikan Native Front released the Native Amerikan Black Metal split w ith the Ifernach, which is already sold out of of vinyls their bandcamp . Behold this interview I conducted with Kurator Of War.  Tecumseh's War was inspired by the life of Tecumseh, and it's a blistering musical journey. What was your inspiration for the Native Amerikan Black Metal split, lyrically, thematically and musically? The split album continued to retain a conceptual and storytelling approach, much like Tecumseh's War, and with a similar range of songwriting styles I implemented with the previous album. When Ifernach and I began focusing on themes we naturally landed on ...

Interview with SODOM's Tom Angelripper

"It's time to die!"  Nearly 40 years since their formation, Sodom proves their metal attack gets nastier with each year. Their upcoming album Genesis XIX is a thoroughly headbanging affair. It marks the return of guitarist Frank Blackfire, who shredded on their landmark albums Persecution Mania (1987) and 89's  Agent Orange, as well as the addition of second guitarist Yorck Segatz, for Sodom's first run as a quartet.  Genesis XIX delivers the heavy artillery one expects from Sodom. It's got the punk influence on it's catchy single "Sodom and Gomorrah", reminiscent of their original, dearly departed drummer Chris Witchhunter (RIP). Songs like "Dehumanized" and "Nicht Meir Mein Land" feature blast beats from their new drummer Toni Merkel, with the latter sinking into an infectiously groovy mid-tempo swagger. Vocalist and bassist Tom Angelripper is the driving force of Sodom. His raspy vocals and distorted bass are the centerpiec...

NO ONE ANSWERS: An interview with Dark Angel's Ron Rinehart

I grew up a thrash obsessed teenager. I lived in the early 2000s like it was 1986. Metallica led to Megadeth, who led to Slayer, who led to Possessed. Then Testament and Exodus, and across the ocean to Kreator, Destruction, and Sodom in Germany, down to Brazil with Sepultura and Sarcofago, and east into Japan with the mighty Sabbat. Each band seemed faster and crazier than the last. Riffs and speed became like a drug, and I needed more. Soon, I came upon the fastest one of them all, the L.A. Caffeine Machine, Dark Angel, who I still consider the speed kings of eighties thrash metal. A band that once clocked in 246 riffs on a single album, more than most bands conjure up in their entire career. Whose drummer, the Gene "the atomic clock" Hoglan, did the impossible task of playing faster than Slayer's Dave Lombardo, and made it sound easy. Dark Angel's landmark 1986 album  Darkness Descends  changed the game with what could be accomplished in terms of musical speed ...