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LOST ORB - Low Ebb's Lament review

I often lambaste the stoner metal genre for being derivative, lacking in the riff department, and just plain boring. And yet, in spite of my preconceived judgement, sometimes there comes along a band....that completely validates my assessment. The offenders in this case is Lost Orb, whose 17-minute magnum opus Low Ebb's Lament boasts of a compelling backstory, super heavy production and an impressive personnel of musicians, all of which should have set them up for a more favorable review.

Before I go throw the whole box of Franzia at Lost Orb, let's examine the pieces here. 

Lost Orb is the project of Chris West, also of fabulously-named psych rock groups Stubb, Trippy Wicked & The Cosmic Children Of Knight, and Landskap. This song was written and recorded around 2012-13, right before Mr. West took a hiatus due to mental health issues. Criticism aside, I'm glad he's in a better place, and this recording will see a proper cassette tape release via Giganto Records on the Necrosexual's own birthday(!) of September 20.

This album describes itself as a musical odyssey, but it's more like a van ride through a pumpkin patch. The psychedelic tendencies of stoner metal had me hoping for a lightning bolt to my third eye, to shock my synapses into high gear. Alas, this is not one of these albums. 

Low Ebb's Lament sounds like a group of seasoned musicians jamming on Sleep-inspired riffs. There's not a single lyric in the entire 17-minute song, but Chantal from Vodun provides the oohs and ahhhs of vocal harmonies. She's got a great voice, and her arrangements add a dimension of complexity to music that is otherwise, well, flat. But the absence of lyrics reduce her vocal contributions to garnish on a heady instrumental already lacking in meat. 



Low Ebb's Lament possesses crisp production. It certainly sounds like plenty of resources were allotted to the mixing and mastering for a cavernous profile. It's a shame Lost Orb didn't put more effort into important things like, you, know, good songwriting. The album also boasts of the Mos Generator drummer Tony Reed on percussion duties, although his presence offers little to make the product any more engrossing.

Low Ebb's Lament the musical of an abstract oil painting, the kind you might be see in some bougie restaurant, a swirling landscape of colors on a massive canvas. But without any definitive form or shape, or specifics, it's difficult to be excited about the object at hand. Lost Orb create a sonic landscape with this recording, just not one I'm particularly excited to ever visit again. It goes to say I'm also just one showghoul, with specific tastes in music, and definitely no stranger to having my own records on the receiving end of less than enthusiastic reviews on a regular basis. Maybe I'm just missing the point. Perhaps you want a certain ambiance with your stoner rock to meditate on and set the mood. I'll stick to Yanni.

In the end, it was I who lamented over 17 minutes of wasted potential. 

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